Zehar / Zehar


What are we going to continue to call cinema exactly? This is what Erik Bullot wondered when it came to establishing the relationship between cinema and modern art. If we consider the answer by employing the rigorous approach that is standard practice when we come to classifying things according to disciplines, then we may well fear that film has a rather uncertain future; however, on the other hand, if we try to provide a response to this question from the sphere of art, or the visual arts, which is a hybrid discipline, that has long been corrupted by other fields of knowledge and practices, we will be able to look towards the future optimistically. And although nowadays we may no longer be interested in the answer, the way in which it is framed, on the other hand, entails the potential for change that the motion picture currently has.